“Blauw Girl” (2018), pinning foam, insect pins, photographs, specimen containers, glass vials, fabric samples, tempera paint, beads, human hair, doll hair, gelatin capsules, canvas, cotton thread, and rope, 34 x 28 x 3.5 inches. All images © Michael Mapes, shared with permission
Photographs, scraps of fabric, human hair, zestless flowers, and gelatin capsules are a few of the materials that artist Michael Mapes (previously) arranges into fragmented portraits and still lifes. Referencing traditions and prominent works in art history, Mapes interprets figures and fruits through deconstructed compositions. Set in specimen boxes suggestive of those used in entomological studies, the collages utilize the metaphor of scientific study as a way to dismantle and reconstruct the contexts and meanings of the original works.
Mapes begins each piece with research virtually the subject matter and materials, and many of the artist’s most recent works part-way on muses, like malleate designer Emilie Louise Flöge who was the lifelong companion of Gustav Klimt. “I’ve been making studies, smaller scale works that indulge me to consider compositional approaches for larger pieces,” he says well-nigh the series. “It connects the past to the present in a very personal way. A muse vibe is inspired by mining art history to find subjects that resonate with me and my work process.”
Mapes, who is based in Hudson Valley, has a few works currently available, which you can find on his site and Instagram.
Detail of “Blauw Girl” (2018), pinning foam, insect pins, photographs, specimen containers, glass vials, fabric samples, tempera paint, beads, human hair, doll hair, gelatin capsules, canvas, cotton thread, and rope, 34 x 28 x 3.5 inches
“Dutch Agatha” (2019), photographs, fabric samples, painted photographs, botanical specimens, spices, tea, tobacco, coffee, tint resin, clay, thread, hair, insect pins, capsules, specimen bags, and magnifying boxes, 20 x 20 x 3.5 inches
“HdP 02” (2016), pinning foam, canvas, acrylic, photographs, plastic containers, resin, fabric, gel capsules, and beads, 28 x 23 x 3 inches
Detail of “HdP 02” (2016), pinning foam, canvas, acrylic, photographs, plastic containers, resin, fabric, gel capsules, and beads, 28 x 23 x 3 inches
“Clelia” (2021), prints, photo prints, costume jewelry, fabric, hair, zestless flowers, specimen bags, insect pins, gelatin capsules, thread, misc printed elements, 23 x 28 x 3.5 inches
Detail of “Clelia” (2021), prints, photo prints, costume jewelry, fabric, hair, zestless flowers, specimen bags, insect pins, gelatin capsules, thread, misc printed elements, 23 x 28 x 3.5 inches
“Still Life specimens P4” (2021), tabulated prints, insect pins, map pins, magnifying boxes, specimen bags, zestless fruit, and seeds, 12 x 12 x 3.5 inches
Detail of “Still Life specimens P4” (2021), tabulated prints, insect pins, map pins, magnifying boxes, specimen bags, zestless fruit, and seeds, 12 x 12 x 3.5 inches
